The show takes viewers to a limited number of replication, we recommend booking in advance
OBSERVATORY PALESTINE
Presents "MY NAME IS OMAR"
GALLERIA TOLEDO
DESIGN VIA A MONTECALVARIO - Naples
27/28/29/30 January 2011
Adapted from a story by Omar Omar Suleiman
Suleimam, Dalal Suleiman, Sara Schiavo
Directed by Luisa Guarro
A mother board, kept in memory as a secret formula, accompanied, in the solitude of the journey, each order for a new beginning: beat your feet ten times the quick feedback / callback body is shaking off the old and renewed energy, decided the next step.
The road is long, still unfinished, it covers an enormous distance, mileage, historical, cultural, political, emotional.
A man looks behind him e. ..
gives voice to a story that unfolds through episodes and pictures and suggestions made during the staging. A delicate
memory inspires admiration and with a sense of inadequacy, is stronger than any denunciation of political or philosophical talk of a house in a remote village of Palestine, a land of battles and harassment and violence, almost in the story there ' is track, if not as melancholy in consapovelezza background of the listener.
is shown daily life, far away, other, slow, primitive, to observe and listen, to exit the Convention that his is the only possible world, the only plausible.
viewers invited to dinner. are guests are welcomed to the stage and immersed in the scene, made warm and welcoming from Arab music, food odors, vapors and the long shadow of the narrator who, behind a curtain illuminated by contrast, cooking for them and guide them in the journey and images are projected on the cloth and then read the translations of Arabic poetry, and language spoken in conjunction with new offerings like flowers and food from behind that cloth shadows take shape, favoring the images evoked the narrative.
But the audience and the remaining space and the chairs and the walls do not remain empty: photos, movies, writing, stacks of books, which are given the reading of a passage, make an entire theater performance space, enlivened by the passage of people distant, with which the narrator interacts with the story by managing the appearance, in favor of the guests so participles of his trip down memory lane.
Omar and walking through two worlds and has no way to stop!
What makes it special and capable of a vision-needless to say, far exceeds that of those who live in its reality, because every closed world presupposes the truth seeks to demonstrate and walk round, obtusely returning to the starting point, as motionless.
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