Convex Mirror Blind Turn

Who's Betraying Whom?!

Well while on television speak of the slaughter of cod, the sport and its importance, I am here sprawled in front of the fireplace that I write the piece of the blog.

I have not the faintest idea of \u200b\u200bwhat I'm talking is propinano that box ... it is strangely addictive. He talks about things, and full of empties itself into me. Empty images, empty words, empty concepts. They talk about sex, for a change. The betrayal. That grumpy and prickly topic.

I mean, I do not buy a person when I put it together. Do not buy it, I do not have a bill of sale stating that my tenure on that person. If you are married is one thing, marriage is a contract, every paragraph is well-defined rights, duties and annotations of both the policyholders, and there you are consenting to be trapped with their own hands.

But if my path is flanked by "chance" on someone else, who am I to force it to take away his freedom? Who is he to force me into a cage, even though gold?

What does it mean to betray? Betray the trust? And we know what is trust?

If a person agrees with me that "we are together" and then has sex with someone else is betrayal of what, if not of my illusion of possession against him?

This is probably a big heavy hoe that I'm pulling directly on the gums, not just on the feet, but I wonder what this morbidity that seeps into our daily lives, we pollute the act and what to think ... comes? From the fear of losing what? How can we "lose" something that has never belonged there? How can we treat as a "thing" a person?

When our path verges so much to someone else and we claim the right ordering: "thou shalt not betray me" what is it that we are actually saying? And to whom?

What makes us sick?

The breaking of the illusion that we have transposed to who we face? It is the false break that image, built by ourselves that we have cleverly pasted on the person in front of us?

Or as we lost in his beautiful eyes do not do nothing but watch and say to ourselves: "I do not ever betray you. I am you, and I will join only with you, I love you, I will never leave you "and we get angry and suffer, and cry, and hate when that person just by living there reminds us that we were to create our illusion.

If so, the eyes of the person we are dealing with is just a mirror for the soul. Our

.

Betrayal does not exist. The real betrayal

we implement it against anyone who is walking beside us when we want to give him a role, and, tying a ball and chain in order to slow it down and force him to the similarity between them. Thus it is that ignoring the individuality and betrayed the nature of his being.

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DVD: **** Elephant by Gus Van Sant - 2003

I fully understand why the film won at Cannes in 2003 and the Palme d' , is the prize for best director . To assign both deserved awards, the jury had to ask for an exception to regulation, which normally does not grant you assign them both the same film.

large movie refinement, full of long shots with the camera that follows all the movements of some of the players who later become victims or killers.
Van Sant was inspired by the fact massacre carried out by two fellow students at Columbine High School and professors in the United States.

The action takes place over one day: about 2 / 3 the film is about the normal and peaceful life of a high school student in Portland (Oregon), taken from more subjective, then the violence traumatically bursts with a massacre carried out by two armed students. The film then two opposing rhythms: the initial, slow, including the dead time of the real life of students, and the final one, is just as surprising and immediate execution.

The director Gus Van Sant

G. Van Sant, as always, does not investigate and does not judge but merely to observe and to show, by shadowing a real constant, the daily atmosphere of a day that in reality will not be at all "normal" .

His style is unique and unmistakable, he's clever and incisive as few others today. All his films are masterpieces, from Drugstore Cowboy to The Beautiful and Damned, by Last Days in Milk, Paranoid Park. Just to name a few of the most famous, but I do not remember a film by Gus Van Sant that I liked it and I have hit.

I ask what the strange title Elephant and so I discovered that attracts American proverb, the one known as the 'elephant in the room ", which amazingly no one notices despite the huge size .. .

Another curiosity: the film was shot in a very short time, just 21 days, with non-professional actors.

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Here, that's better!
I changed the whole look, add something and something taken away, so much to like: D

Mo because it's cold I'll go in front of the fireplace.

I hope you like \u0026lt;3


... and even if you do not like your cocks are u_u

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At the movies: meet the man of your dreams ** Woody Allen

Freida Pinto

We can say that is one of the less beautiful film by Woody Allen? But sorry to say, especially to me that I love Woody Allen, despite his obvious and overt decline ... But he made the film so wonderful that it is forgivable, especially at 75 years.

And to think that this movie had great potential that expresses the power of illusions that we desperately need to give meaning to our lives and our actions, to try to win (in vain) the much-hoped-for happiness. Ending
then be content with a bit of 'wretched of serenity ...

short realism, pure cynicism and disillusionment.

Yet, despite these splendid premises, the last work of Woody Allen is noiosetto and obvious, we already know where it goes to parry: Alphie (Anthony Hopkins) does not escape unscathed from its crisis of old age leaving his wife same age (Gemma Jones) and marrying a comely and insipid escort, we know that her daughter Sally (Naomi Watts) are unlikely solve his marital crisis and equally difficult to crown his illusory love affair with the handsome gallery owner (Antonio Banderas), her husband Roy (Josh Brolin) will get with the new neighbor (Freida Pinto) but in this case no will achieve full satisfaction. Only the picturesque wife Alphie will find a loving kind of happiness with an equally strange character. Difficult to enact what is love and human solidarity as ...

Josh Brolin and Naomi Watts

All these characters live, however, although for a moment, the illusion of happiness.

meet the man of your dreams is strangely slow and not too funny, nor exceptionally fun in bars, it is so steeped in glossy bitterness. It does not have the pace of some of the film director. It 'a kind of repetition, the most disconsolate of Whatever Works and send us all the fear of aging and loneliness, which surely is haunting Woody Allen.
Therapeutic ... but just for him.

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DVD: No peace for Basile ** Alain Guiraudie - 2003 cult

When you want to experiment with unusual and less commercial films ... Well, there is some small risk, such as to make a great effort to follow the story, because even deliberately incoherent.

premise that there is no peace for Basile was presented with some success to the Directors' Fortnight in Cannes in 2003 and was defined neosurrealista . And it certainly is, no doubt!

happens that a boy, Basile (Thomas Suire) wakes from a dream in which he receives a revelation: this will be his last dream, do not wake up the next most will die. Then
Basile is terrified to fall asleep again and decides that no longer needs to sleep. It's a massacre of people being chased (or chasing?) By a certain Johnny Gott who saves him, however, by two mobsters .. . The film is full of curious characters who appear and disappear, they die and then reappear in other scenes alive and well. Reality and fantasy are mixed and ... we do not understand anything, we are full of doubts just because the main point of view is to dream.

It 's a movie with young actors who in some places try the philosophical approach, if we find some merit, then we can also say that the picture is very nice, but ... here is not enough.

The intent of the director is ambitious, but I found this film very hard to follow and somewhat quirky. Struggling to make ends ... we are successful only for the sake of my blog!

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Video: The Big Lebowski DVD

The evening continues in the great company of Dude ...

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"MY NAME IS OMAR" .. Galleria Toledo Napoli-


The show takes viewers to a limited number of replication, we recommend booking in advance
OBSERVATORY PALESTINE

Presents "MY NAME IS OMAR"
GALLERIA TOLEDO
DESIGN VIA A MONTECALVARIO - Naples
27/28/29/30 January 2011

Adapted from a story by Omar Omar Suleiman
Suleimam, Dalal Suleiman, Sara Schiavo
Directed by Luisa Guarro

A mother board, kept in memory as a secret formula, accompanied, in the solitude of the journey, each order for a new beginning: beat your feet ten times the quick feedback / callback body is shaking off the old and renewed energy, decided the next step.
The road is long, still unfinished, it covers an enormous distance, mileage, historical, cultural, political, emotional.
A man looks behind him e. ..
gives voice to a story that unfolds through episodes and pictures and suggestions made during the staging. A delicate
memory inspires admiration and with a sense of inadequacy, is stronger than any denunciation of political or philosophical talk of a house in a remote village of Palestine, a land of battles and harassment and violence, almost in the story there ' is track, if not as melancholy in consapovelezza background of the listener.
is shown daily life, far away, other, slow, primitive, to observe and listen, to exit the Convention that his is the only possible world, the only plausible.
viewers invited to dinner. are guests are welcomed to the stage and immersed in the scene, made warm and welcoming from Arab music, food odors, vapors and the long shadow of the narrator who, behind a curtain illuminated by contrast, cooking for them and guide them in the journey and images are projected on the cloth and then read the translations of Arabic poetry, and language spoken in conjunction with new offerings like flowers and food from behind that cloth shadows take shape, favoring the images evoked the narrative.
But the audience and the remaining space and the chairs and the walls do not remain empty: photos, movies, writing, stacks of books, which are given the reading of a passage, make an entire theater performance space, enlivened by the passage of people distant, with which the narrator interacts with the story by managing the appearance, in favor of the guests so participles of his trip down memory lane.
Omar and walking through two worlds and has no way to stop!
What makes it special and capable of a vision-needless to say, far exceeds that of those who live in its reality, because every closed world presupposes the truth seeks to demonstrate and walk round, obtusely returning to the starting point, as motionless.

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How Does Appendicitis Start

: The girl on the bridge ***** by Patrice Leconte - 1999

Vanessa Paradis

Just watch the first few scenes to become caught up, you know right away which is a masterpiece. Irresistible.

Start with a beautiful Vanessa Paradis in the foreground that says so innocent and tragically sincere his misfortunes, his life and wretched in the name of bad luck. Once again we see then the girl on a bridge, ready to plunge below, and stop the strange encounter with a knife thrower Gabor (Daniel Auteuil) who proposed to make a last attempt at life becoming his assistant. What would have to lose? Begins with a period of two extraordinarily bright and fortunate, has performed in numerous shows and increasingly risky with great success, win money at the casino and everything turns in the right direction.
As Gabor said, are set as a note: unit value, divided it has no. In fact, when she leaves him for a greek sailor (on their honeymoon!) Luck abandons both.
They will meet again on the bridge and could not understand and want to do is stay together.

protagonist is the good fortune, and her opponent - the bad luck. In the film, a tragicomedy with a happy ending, everything goes the right way: the original story, an adventure that takes us through nomadic countries and fanciful situations, the characters are interesting and full of subtle charm. In addition, the girl on the bridge is also exciting, he has pace and witty dialogue, fine. All the ingredients, well-calibrated, are mixed with skill, humor and originality. The choice of the sharp black and white is absolutely perfect. Beautiful soundtrack.

short, a jewel.

sensual and cerebral scenes at the launch of knives, represented as carnal love between the two, a mixture of pain and pleasure.

Daniel Auteil is chameleonic, histrionic and capable of interpreting diverse roles. Here, with this bizarre interpretation which earned him a César, can become unforgettable. talented Vanessa Paradis, a mixture of mischievous innocence and sensuality.

Daniel Auteuil

masterpiece Patrice Leconte .